2024 nr 2 (8)
Anatomia radości NR 2
Mariusz Jochemczyk, Miłosz Piotrowiak: Introduction
Andrea F. De Carlo: A city with many faces. The image of Naples in Zygmunt Krasiński’s works. Marzena Woźniak-Łabieniec: „I had the strangest dream…”. Arte e amore in dreamlike notes of Gustaw Herling-Grudziński’s Dziennik 1957–1958. Mariusz Jochemczyk: “Inglourious Basterds”. Italian reminiscences of Artur Międzyrzecki’s writing. Bogusława Bodzioch-Bryła: Trapped on a journey… Poetic images of contemporary Italy in the works of Adam Zagajewski. Aleksander Nawarecki: “What is poetry?” (Derrida, Uniłowski, Berardi). Krystyna Jaworska: Zofia Kozarynowa: the role of an academic teacher in the development of Polish studies in interwar Italy.Francesco S. Perillo: Echoes of the battle of Kosovo polje (1389) in Italian historiography and culture. Tadeusz Sławek: Rain permeats all. On consolation. Giuseppe Moscati: Relationships in relation: see at “otherness”. Zuzanna Hanuszewicz: Creation of an androgynous female knight in Tredici canti del Floridoro by Moderata Fonte. Magda Morello: The artist, who ‘’has laboured at the difficulties of design with greater study and better grace than any other woman of our time”. Sofonisba Anguissola’s self-portrait. Dante Alighieri: Canto X. Transl. Jarosław Mikołajewski Karolina Najgeburska: In the “box of thoughts”. Jarosław Mikołajewski: Syrakuzańskie. Kraków–Budapeszt–Syrakuzy 2019, 68 s.