2024 nr 2 (8)
Anatomia radości NR 2
Agnieszka Bender, Janina Janas: Introduction
Angelantonio Spagnoletti: Bona Sforza – between Poland, Naples, and Bari. The Rivalry of the Great European Powers in the 16th Century Agnieszka Bender: Bona Sforza d’Aragon and the Role of Fashion in Creating Her Image Monika Werner: The Image of Queen Bona in Polish Drama Janina Janas: The Portrait of Jan Grotkowski in the Poems of Jan Andrzej Morsztyn and the Question of the “Neapolitan Sums” Monika Werner: A Forgotten Film about Barbara Radziwiłłówna Maurizio Griffo: National and Liberal. The Constitutionalism of the Italian Risorgimento Iwona Dorota: Zofia and Livio Odescalchi in Two Epistolary Sources Weronika Korzeniecka: Roberto Saviano. A Few Words about Contaminating His Own Nest and Its Consequences Robert Papieski: The Funeral of the Queen by Jarosław Iwaszkiewicz – Editing the Text Jarosław Iwaszkiewicz: Bari (transl. Janina Janas, Stefania Riccardo) Janina Janas: Miron Costin – Chronicler and Poet Francesco Cabras: Some Reflections on a New Edition of C. Carmignano’s Viaggio della Serenissima S. Bona Regina in Polonia Katarzyna Kowalik: Italian History of One Literary Genre Daniele Stasi: Letters from Concentration Camps and Prisons as a Depiction of Camp Reality Alessandro Ajres: Tommaso Fiore and the Crows of Warsaw Ewa Litwin: The Birth of Polish National Thought from an Italian Perspective Paweł Tyszka: Scientific and Educational Project: Bona Sforza d’Aragona (1494-1567). Legend and reality (Report) Agnieszka Bender: Interdisciplinary Project: Bona Sforza d’Aragona. Settimana della cultura Italo-Polacca (Report) Annagrazia Carriero, Ivan de Matteo: Rassegna: Review: Naples by Herling